Mashrabaمشربة

Six turns of a spiral

A suggested year for a circle or a lone reader: 42 weeks on texts already in the library, from al-Fātiḥa to the Hymn of the Pearl. Each week has one passage for the whole room, one root, one pattern, one grammar point met in the text, one line to carry, one question and one practice. Take it, change it, or leave it; it is not a course to enrol in.

The plan and its summaries are ours. Every Arabic line is copied from the reader's own text; every root was checked in the passage.

Draw out, don't pour in

Nobody is told what a passage means before they have heard it and said back what they understood.

Plato, Republic VII 518b–c; Plutarch, On Listening 48c

Courtesy first

Say what the text says before what you think of it. No ranking, no shaming, a table open to all.

al-Ghazālī, Iḥyāʾ I:48; Ibn Khaldūn, Muqaddima VI.39

Love is the motive

Every turn starts from a text worth loving, read aloud, and each learner chooses the line they carry.

Ikhwān al-Ṣafāʾ, Epistle 1; Symposium 210e–211c

Up, with a measure, and back

Steps climbed one at a time, none claiming arrival; every step ends by helping someone newer.

al-Qushayrī, Risāla pp. 153–4; Seneca, Letters 7.8

The method is the reader's own: roots as families, patterns as moulds, grammar met where it occurs, the text heard and said aloud. The voices behind each idea are on the case and the ladder.

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Each turn answers to a stage of the Platonic ascent, from the sound of the language to the word itself, and old roots come back in each new text. Every turn is read in the madrasa's three passes, and its last week is a return: reread, recite, narrate the whole.

  1. Pass 1

    The gist مَتْن

    Hear the passage, narrate it, meet its roots.

  2. Pass 2

    The commentary شَرْح

    The grammar named in the text, the pattern, the commentators beside it.

  3. Pass 3

    Nothing left obscure حاشية

    The apparatus, the variants, the readings through the ages.

  1. 1The Opening· Mousikē: the sound first · 8 weeks
  2. 2The Litanies of Sunday· Number: the unit and the letter · 5 weeks
  3. 3The Ringstone of Adam· Form: the figure behind the appearance · 10 weeks
  4. 4The two Ḥayys· The heavens: order behind the lights · 5 weeks
  5. 5The Wine Ode· Harmony: music again, one turn higher · 8 weeks
  6. 6Light and love· Dialectic: the word, the point, the return · 6 weeks

The ear

No Arabic yet

Hear the passage, recognise the week's root, recite the line, read with the word panel and the English.

The bridge

Heritage speakers

Link the words of home to their roots, read vowelled text, name the pattern, the first case endings.

The grammar

Fluent readers

Name the analysis and the form, the meanings of the patterns, one commentator a week.

The companions

Scholars, the classically trained

The commentaries and glosses; lead the grammar point; hear others read.

Everyone reads the same passage; choose a track and change it whenever you like. The weekly meeting follows the circle's rhythm.

Marks are kept in this browser only.

1The Opening الفاتحة

Seven verses, recited daily in prayer and known by heart by many in any room, dense with core roots and with the main patterns: the participle, the verbal noun, the intensives faʿlān and faʿīl. Read al-Fātiḥa.

  1. Week 1Verse 1س م وأ ل ه

    Open the passage

    Two intensives from one root: raḥmān (faʿlān) and raḥīm (faʿīl).
    The preposition bi- and the genitive after it. Topic · In the primer
    بِسْمِ ٱللَّهِ ٱلرَّحْمَـٰنِ ٱلرَّحِيمِ
    Why two words from one root, side by side? What does each pattern add?
    Listen to the verse with word timing three times, then say it with the reciter.
  2. Week 2Verse 2ح م در ب ب

    Open the passage

    The verbal noun: ḥamd, the act of praising.
    A nominal sentence: subject (mubtadaʾ) and predicate (khabar). Topic · In the primer
    ٱلْحَمْدُ لِلَّهِ رَبِّ ٱلْعَـٰلَمِينَ
    A nominal sentence names no one who praises and no time. What does leaving them out do?
    Write two lines: what al-ʿālamīn brings to mind, and what the root page of ʿ-l-m says the word is built from.
  3. Week 3Verse 3ر ح م

    Open the passage

    faʿlān and faʿīl again, side by side, now as epithets.
    Adjectives that follow their noun and agree in case. Topic · In the primer
    ٱلرَّحْمَـٰنِ ٱلرَّحِيمِ
    The two words of verse 1 come back. What is different about hearing them a second time?
    Recite verses 1–3 to a companion, and hear theirs.
  4. Week 4Verse 4م ل كي و م

    Open the passage

    The active participle fāʿil: mālik, the one who owns.
    The construct (iḍāfa): two nouns bound into one phrase. Topic · In the primer
    مَـٰلِكِ يَوْمِ ٱلدِّينِ
    Some of the canonical readings have malik, king, where others have mālik, owner. What changes with one long vowel?
    Open the root m-l-k and collect three words from it that you already know in any language you speak.
  5. Week 5Verse 5ع ب دع و ن

    Open the passage

    Form X, istafʿala, the form of seeking: nastaʿīn, we seek help.
    An object placed first for emphasis: iyyāka. Topic · In the primer
    إِيَّاكَ نَعْبُدُ وَإِيَّاكَ نَسْتَعِينُ
    What does putting iyyāka first do to the sentence, compared with the usual order?
    Write two lines on the difference between asking and seeking, using the Form X pages.
  6. Week 6Verse 6ه د يص ر ط

    Open the passage

    The Form X participle: mustaqīm.
    The imperative, and a verb with two objects. Topic · In the primer
    ٱهْدِنَا ٱلصِّرَٰطَ ٱلْمُسْتَقِيمَ
    A ṣirāṭ is a road to walk. What words for a way, in any language, also mean a way of living?
    Listen, then recite over the recording until the voices meet.
  7. Week 7Verse 7ن ع مغ ض ب

    Open the passage

    The passive participle mafʿūl: maghḍūb, the one on whom anger falls.
    The relative clause (alladhīna), and a noun standing in for another (badal). Topic · In the primer
    صِرَٰطَ ٱلَّذِينَ أَنْعَمْتَ عَلَيْهِمْ
    Three groups are named with three different forms: a verb, a passive participle, an active participle. Why might the forms differ?
    Add the week's three roots to your deck and review them daily.
  8. Week 8The whole sūra (return week)

    Open the passage

    Review every pattern met; find each once more elsewhere in the library.
    Read the whole sūra aloud to a companion, and narrate it in your own words. Topic · In the primer
    The whole sūra, by heart if you wish; one verse of your choosing if not.
    Which verse would you lift to share, and what would you say about it in two lines?
    Share one verse as a card (Share, in the reader) and bring it to the circle.

Read the Ājurrūmiyya's opening chapters alongside (/grammar/ajurrumiyya).

2The Litanies of Sunday أوراد الأحد

Rhymed, repeated prose that is meant to be said every week: the Fātiḥa's roots return, and the prayer counts its way from the many to the one. Read Ibn ʿArabī's Awrād, Sunday.

  1. Week 1¶1و ف قح م د

    Open the passage

    tafʿīl, the verbal noun of Form II: tawfīq.
    The construct with a pronoun suffix: ḥusni tawfīqihi. Topic · In the primer
    اَلْحَمْدُ لِلّٰهِ عَلَى حُسْنِ تَوْفِيقِهِ
    Tawfīq comes from w-f-q, to fit or agree. What does the prayer ask to be fitted to?
    Find every tafʿīl in the passage (the word panel names the pattern) and add two to your deck.
  2. Week 2¶3غ ي بش ه د

    Open the passage

    fāʿil (shāhid) beside faʿl (ghayb); and the Form IV participle muḥīṭ.
    The vocative with the possessive -ī: ilāhī. Topic · In the primer
    اِلٰهِي اَنْتَ الْمُحِيطُ بِغَيْبِ كُلِّ شَاهِدٍ
    Read the phrase word by word: how can something be the unseen of every witness?
    Listen to the passage, then recite over the recording.
  3. Week 3¶5ق د رق ه ر

    Open the passage

    One doubled letter: qadara (Form I, had power) and qaddara (Form II, measured out).
    The perfect with -ta, and the fa- of sequence. Topic · In the primer
    قَدَرْتَ فَقَهَرْتَ وَعَلِمْتَ فَقَدَّرْتَ
    Qadar is also measure (the geometry stage's word). What does measuring have to do with power in this line?
    Write two lines on the pair qadara / qaddara, and find one more such pair in the library.
  4. Week 4¶8و ح دأ ح د

    Open the passage

    fāʿil (wāḥid) and tafʿīl (tawḥīd): the unit and the act of making one.
    lā of absolute negation, and the exception with illā: lā ilāha illā llāh. Topic · In the primer
    بِسْمِ اللّٰهِ فَاتِحِ الْوُجُودِ
    wāḥid and aḥad both say one, and the prayer puts them together. What could the second add?
    Open both roots' pages and write two lines on the difference as the lexicons give it.
  5. Week 5¶10, then the whole litany (return week)ظ ه رب ط ن

    Open the passage

    fāʿil in pairs: ẓāhir and bāṭin, the outward and the inward.
    idhā … fa-: the condition and its answer. Topic · In the primer
    اِذَا كَشَفَ فَلَا غَيْرَ وَاِذَا سَتَرَ فَكُلٌّ غَيْرٌ
    How many opposites does the litany hold together? Name them and say which one it ends on.
    Read the whole Sunday litany (¶0–20) across the week, one sitting a day.

The plan “The prayers of a week” (/plans) reads the rest of the litanies and prayers in the library.

3The Ringstone of Adam فص حكمة إلهية في كلمة آدمية

The chapter of the polished mirror and the human form, read in the ten sittings of the existing plan, with the classical commentaries beside it. Read Faṣṣ Ādam, Fuṣūṣ al-ḥikam ch. 1.

  1. Week 1¶1–2ر أ ي

    Open the passage

    The instrument noun: mirʾāh, a mirror, the thing one sees with.
    lammā with the perfect: when, once. Topic · In the primer
    لَمَّا شَاءَ الحَقُّ سُبْحَانَهُ مِنْ حَيْثُ أَسْمَاؤُهُ الحُسْنَى
    Why, in the passage's telling, does seeing oneself need a mirror?
    Share the first line as a card (Share, in the reader; Faṣṣ Ādam ¶1).
  2. Week 2¶3–4أ ن سص و ر

    Open the passage

    fiʿlān (insān) beside faʿlān (raḥmān): two long-a patterns met in turn 1.
    kāna and its sisters: the predicate in the accusative. Topic · In the primer
    وَإِلَيْهِ يُرْجَعُ ٱلْأَمْرُ كُلُّهُۥ
    ¶4 calls the human the insān of the eye, its pupil. What does the image say about seeing?
    Write two lines on insān as the reader's root page gives it, and on the pupil.
  3. Week 3¶5–6خ ت مخ ز ن

    Open the passage

    fāʿal (khātam, ʿālam) against fāʿil (ʿālim).
    The relative adjective (nisba) in -ī: azalī, abadī. Topic · In the primer
    فَهُوَ الإِنْسَانُ الحَادِثُ الأَزَلِيُّ وَالنَّشْءُ الدَّائِمُ الأَبَدِيُّ
    How can one thing be both newly made and without beginning? Say what the sentence claims before judging it.
    Recite the line to a companion.
  4. Week 4¶7–8س ب حق د س

    Open the passage

    Form II and its verbal noun: sabbaḥa / tasbīḥ, qaddasa / taqdīs.
    The question with a- (atajʿalu), inside a Qur'an quotation. Topic · In the primer
    أَتَجْعَلُ فِيهَا مَن يُفْسِدُ فِيهَا
    According to ¶7, what did the angels not see about themselves?
    Narrate ¶7 in your own words, in any language.
  5. Week 5¶9–10ع ل مح ي ي

    Open the passage

    One root in many moulds: ʿilm, ʿālim, ʿalīm, ʿālam, taʿallum.
    anna and its noun: anna lahu ʿilman. Topic · In the primer
    فَهُوَ الحَيُّ العَالِمُ
    Collect every ʿ-l-m word in the two passages. What do they share, and where does the sentence pull them apart?
    Add ʿ-l-m to your deck and put three of its words on the one card.
  6. Week 6¶11–12ر ب طف ق ر

    Open the passage

    Form VIII, iftaʿala: irtibāṭ, iftiqār.
    idhā kāna … fa-: a condition stated as settled. Topic · In the primer
    وَإِذَا كَانَ الارْتِبَاطُ بَيْنَ مَنْ لَهُ وُجُودٌ عَيْنِيٌّ وَبَيْنَ مَنْ لَيْسَ لَهُ وُجُودٌ عَيْنِيٌّ
    What binds the two sides, as ¶11 argues? Narrate the argument in three steps.
    Write two lines.
  7. Week 7¶13–14ظ ه رب ط ن

    Open the passage

    fāʿil in pairs again: ẓāhir / bāṭin, met in the Sunday litany.
    bi-anna with two predicates: bi-annahu ẓāhirun bāṭinun. Topic · In the primer
    ثُمَّ لِتَعْلَمَ أَنَّ الحَقَّ وَصَفَ نَفْسَهُ بِأَنَّهُ ظَاهِرٌ بَاطِنٌ
    These words met you in turn 2. What is new about them here?
    Reread the litany's ¶10 beside ¶14 (the spiral).
  8. Week 8¶15–16خ ل في د ي

    Open the passage

    Form X istakhlafa and faʿīla: khalīfa.
    The dual: yadayhi, bi-yadayya. Topic · In the primer
    مَا مَنَعَكَ أَن تَسْجُدَ لِمَا خَلَقْتُ بِيَدَىَّ
    Why two hands? What pairs has the chapter set up so far?
    Listen to ¶16 with word timing; recite the Qur'an line in it.
  9. Week 9¶17–19ف ق ر

    Open the passage

    Participles of Form VIII and Form X: muftaqir and mustaghnin (the second is left untagged by the reader's analysis; check it on the root page of gh-n-y).
    mā denying a nominal sentence: mā l-kullu mustaghnin. Topic · In the primer
    فالكُلُّ مُفْتَقِرٌ ما الكُلُّ مُسْتَغْنٍ
    What does the third line, the all bound to the all, add to the first?
    Recite the first line of the verses; hear its beat (turn 5 returns to metre).
  10. Week 10¶20, then the whole chapter (return week)ح ك مك ل م

    Open the passage

    fiʿla (ḥikma) and faʿila (kalima): the words of the chapter's title.
    The title as a phrase: indefinite nouns with nisba adjectives. Topic · In the primer
    فَصُّ حِكْمَةٍ إِلَهِيَّةٍ فِي كَلِمَةٍ آدَمِيَّةٍthe chapter's title
    Now that you have read the chapter: why a ringstone, a faṣṣ?
    Narrate the whole chapter to a companion in ten sentences, one per sitting.

The companions track reads each sitting with the commentaries (/read/fusus/1/commentaries), then chapters 2–3, Seth and Noah (/read/fusus/2, /read/fusus/3).

4The two Ḥayys حي بن يقظان

The guide named Living, son of Awake, who maps the climes from West to East; and the child on an island under the equator who learns the world by watching it. (The library holds part one of Ibn Ṭufayl's tale.) Read Ibn Sīnā's recital and Ibn Ṭufayl's tale.

  1. Week 1Ibn Sīnā ¶2–3ح ي يي ق ظ

    Open the passage

    faʿlān again: yaqẓān, awake, beside raḥmān.
    A name as a phrase: ibn and the genitive. Topic · In the primer
    أَمَّا ٱسْمِى وَنَسَبِى فَحَىُّ بْنُ يَقْظَانَ
    Why might a guide be named Living, son of Awake?
    Listen to the meeting, then narrate it.
  2. Week 2Ibn Sīnā ¶4–8غ ر بع د ل

    Open the passage

    fuʿla (ghurba, exile) and iftiʿāl (iʿtidāl, balance).
    Demonstratives and the relative: hādhā alladhī. Topic · In the primer
    وَسُمْهُمْ سَوْمَ الِٱعْتِدَالِ
    The old man does not tell the traveller to be rid of his companions, but to govern them with balance. What is the difference?
    Write two lines on iʿtidāl, the mean, as the root page gives it.
  3. Week 3Ibn Sīnā ¶12–14غ ر بش م س

    Open the passage

    mafʿil, the place noun: maghrib, where the sun sets (Mashraba is its sister, mafʿala, a place of drinking). Iqlīm has no Arabic root in the reader: it is a borrowed word, from Greek klima.
    inna with its noun delayed: inna bi-aqṣā l-maghribi baḥran. Topic · In the primer
    اِنَّ بِأَقْصَى الْمَغْرِبِ بَحْرًا كَبِيرًا حَامِئًا
    Why does the recital put darkness and strangers in the West?
    Read the opening of Suhrawardī's Occidental Exile (/read/ghurba#p-1) and compare its West.
  4. Week 4Ibn Ṭufayl ¶32, ¶35ع د لش م س

    Open the passage

    The elative afʿal: aʿdal, most balanced; atamm, most complete.
    lā denying the present tense, and a reason given with li-anna. Topic · In the primer
    لِأَنَّ تِلْكَ الْجَزِيرَةَ أَعْدَلُ بِقَاعِ الْأَرْضِ هَوَاءً
    How does Ibn Ṭufayl argue from the sun to the island's balance? Narrate the argument step by step.
    Draw the island, the equator and the sun's rays as ¶35 describes them.
  5. Week 5Ibn Ṭufayl ¶56–60, then both texts (return week)ر أ يط ف ل

    Open the passage

    Review the year's patterns so far on the deck; r-ʾ-y, seeing, returns from the mirror of Faṣṣ Ādam.
    Read one passage aloud to a companion and narrate it. Topic · In the primer
    One line of your choosing from either Ḥayy.
    What does Ḥayy learn by watching that he could not have been told?
    Teach the week's root to someone who joined after you.

The plan “The recitals” (/plans) reads Ibn Sīnā, Suhrawardī's Occidental Exile and Ibn Ṭufayl in order.

5The Wine Ode الخمرية

Verse, metre and rhyme, sung and commented: the sound of turn 1 heard again as number and form. Ibn Khaldūn reports a teacher who put poetry before everything else; a circle may take this turn first. Read Ibn al-Fāriḍ's Khamriyya.

  1. Week 1Line 1, first halfش ر بذ ك ر

    Open the passage

    faʿīl: ḥabīb, the beloved.
    The past tense with its subject suffix: sharibnā, we drank. Topic · In the primer
    شَرِبْنا عَلَى ذِكْرِ الْحَبِيبِ مُدامَةً
    Mashraba and sharibnā share a root. What is being drunk, as the commentators read it?
    Listen to the line recited, then say it with the voice.
  2. Week 2Line 1, second halfس ك رخ ل ق

    Open the passage

    The passive verb: yukhlaqa, it was created.
    min qabli an: before, with the subjunctive after an. Topic · In the primer
    سَكِرْنا بِها مِنْ قَبْلِ أَنْ يُخْلَقَ الْكَرْمُ
    Drunk before the vine was created: what kind of wine could that be?
    Recite the whole of line 1.
  3. Week 3Line 2ب د رش م س

    Open the passage

    Form IV, afʿala: yudīru, he passes it round.
    A nominal sentence: al-badru kaʾsun, the full moon is a cup. Topic · In the primer
    لَهَا الْبَدْرُ كَأْسٌ وَهْيَ شَمْسٌ يُدِيرُهَا
    Moon, sun, crescent, star: which holds, which is held, which passes it round?
    Draw the line's figure: the cup, the sun and the hand that turns.
  4. Week 4Line 3ه د يص و ر

    Open the passage

    Form VIII (iftaʿala) and Form V (tafaʿʿala): ihtadaytu, taṣawwara.
    lawlā … mā: were it not for …, then not. Topic · In the primer
    وَلَوْلَا شَذَاهَا مَا اهْتَدَيْتُ لِحَانِهَا
    Scent and radiance lead where sight cannot. What does the line say each one does?
    Write two lines.
  5. Week 5Line 4

    Open the passage

    Hear the metre, al-ṭawīl (the long), and the rhyme in -mu that closes every line.
    Scan one line together, syllable by syllable. In the primer
    وَلَمْ يُبْقِ مِنْهَا الدَّهْرُ غَيْرَ حُشَاشَةٍ
    Where does the beat fall? Clap it before you name it.
    Clap the metre of lines 1–4 with a companion.
  6. Week 6Line 5

    Open the passage

    Collect the ode's participles and verbal nouns in the deck.
    Meet one point the commentary itself raises. Topic · In the primer
    فَإِنْ ذُكِرَتْ فِي الْحَيِّ أَصْبَحَ أَهْلُهُ
    In the poem's own logic, why is there no shame and no sin for those drunk on this wine?
    Read one commentator on line 5 and narrate what he adds.
  7. Week 7Line 6

    Open the passage

    One pattern chosen by the circle.
    One point chosen by the circle. Topic · In the primer
    وَمِنْ بَيْنِ أَحْشاءِ الدِّنانِ تَصاعَدَتْ
    One question chosen by the circle's host.
    Write two lines in answer to the ode.
  8. Week 8Lines 1–6 (return week)

    Open the passage

    Review; recite the opening lines from memory.
    Read the lines learned aloud to a companion, and narrate them. Topic · In the primer
    Lines 1–6, as many as you have by heart.
    What did the metre teach you that the words alone did not?
    Recite to a companion; a named companion may hear the reading for a licence (§5).

The commentaries on the ode (/read/khamriyya/commentaries).

6Light and love النور والمحبة

The texts about the ascent itself, read side by side across Arabic, Greek and Syriac, ending on a tale of going home. Read the Mishkāt and the Hayākil, with Diotima and Plotinus; the Hymn of the Pearl as the return.

  1. Week 1al-Ghazālī, Mishkāt ¶4–5ن و رظ ه ر

    Open the passage

    fuʿl (nūr) and fuʿūl (ẓuhūr).
    ammā … fa-: as for …, then. Topic · In the primer
    فَالنُّورُ يُشِيرُ اِلَى الظُّهُورِ
    Light as appearing to another: what does that make of seeing?
    Listen to ¶5 and narrate it.
  2. Week 2Suhrawardī, Hayākil ¶1, ¶5د ر كص و ر

    Open the passage

    Form IV, afʿala / ifʿāl: adraka, idrāk; and ṣūra again, from Faṣṣ Ādam.
    lā … illā: restriction by exception. Topic · In the primer
    لَا تُدْرِكُ أَنْتَ شَيْئاً اِلَّا بِحُصُولِ صُورَتِهِ عِنْدَكَ
    If you know a thing only by its form in you, where is the form of animal that fits both the elephant and the fly?
    Write two lines.
  3. Week 3Plato, Symposium 210e–211c (Diotima's ladder)ع ر ج

    Open the passage

    Greek epanabasmos, steps, beside the Arabic miʿrāj, a ladder (mifʿāl, the instrument noun, like mirʾāh). A resonance, not an influence; the bridge is AI-built and marked.
    From one to two, from two to all: the Greek prepositions apo … epi. Topic · In the primer
    using these as steps only, and from one going on to two, and from two to all fair forms (tr. Jowett)
    Diotima's ladder climbs from one body to all bodies, to practices, to learning. Where does this year's ladder stand on hers?
    Read 210e aloud in Greek with the word panel, once, slowly.
  4. Week 4Plotinus, Ennead VI.9.8, with Ibn ʿArabī's circleد و ر

    Open the passage

    fāʿila: dāʾira, the circle; yudīru met in the Wine Ode.
    kyklos peri kentron: a circle about a centre. Topic
    its natural course may be likened to that in which a circle turns not upon some external but on its own centre (tr. MacKenna)
    Line or circle: what does each figure say about where learning goes?
    Draw the point and the circle with a compass (/figures#point-and-circle).
  5. Week 5The Hymn of the Pearl, vv. 64–67 and 75–78ه د ي

    Open the passage

    A cognate across languages: Syriac hadyūtā, guidance, from h-d-y, the root of ihdinā in the Fātiḥa's sixth verse.
    Cognate letters: how Syriac and Arabic spell the same root. Topic · In the primer
    w-ba-hadyūtāh: and with its guidance
    What in the Hymn plays the part the old man plays in Ibn Sīnā's Ḥayy?
    Narrate the whole Hymn's story in the English, in ten sentences.
  6. Week 6The year returned; the Great Learning's order (Qingzhen daxue §2)

    Open the passage

    Review the year's roots on the deck: how many families do you now know?
    Each member teaches one grammar point from the year to someone newer. Topic · In the primer
    The lines you chose this year, recited to a companion.
    Which line will you carry into the second year, and why?
    Teach one line to a newer member (docendo discimus).

The plan “Light: the Niche, then the Temples” (/plans); for the other window, the Great Learning of the Pure and Real (/read/qingzhen-daxue).

A threshold of taking part, not of prior knowledge. Anyone who does these may join a circle's discussion; no exam, and no belief asked.

  1. 1Read the premise, and say yes to its courtesy
  2. 2Take one passage through the word panel
  3. 3The letters, or ten roots in your deck
  4. 4One week of a reading plan
  5. 5Share a piece from the reader, and write two lines on it
  1. 0The doorstep

    The five steps above.

  2. 1A turn

    Its text read in full; its lines recited to a companion; one narration; one lifted card; one short note.

  3. 2A first reading licence

    A short whole text read aloud in full to a named companion, who says so. Not an ijāza, not a credential; no historical chain claimed.

  4. 3The year

    Six turns, two licences, and one line or grammar point taught to someone newer.

  5. 4Companion

    Hear others read the texts you hold; lead a root or a grammar point; sit in other circles too.

Narration

Say back what the passage said, in any language.

Lines, heard

A line counts as held when a companion has heard it.

A lifted card

A word or line carried with its root, its lexicon line and its link back.

Two lines

A short note in your own words. Never written by the AI.

Teaching

Pass one thing on to someone newer: we learn by teaching.

No points, no badges, no leaderboards, no certificates. Nothing is asked about belief. A learning community open to all, not a religious order.